Elżbieta Klimek-Dominiak Fictions of Western Hypermasculinity and Freedom: A. Proulx’s "Close Range: Brokeback Mountain and Other Stories"Anglica Wratislaviensia, 47, 2009, Pages (9 - 16) Download article |
Elżbieta Klimek-Dominiak Caroline Kirkland’s 'A New Home: Who’ll Follow?' as the Pioneer Realist Representation of the Social Groups and Domesticity on the Frontier Anglica Wratislaviensia, 46, 2008, Pages (9 - 24) Download article |
Elżbieta Klimek-Dominiak “Life for me ain’t been no crystal stair”: Trauma, Writing and Alternative Communities in Sapphire’s Push and Its Film Adaptation PreciousAnglica Wratislaviensia, 50, 2012, Pages (61 - 75) AbstractDownload article |
Elżbieta Klimek-Dominiak Resisting (In)visible Women of Solidarity: Gender in American and Polish Oral History, Life Writing, Visual Arts and Film. Part IMiscellanea Posttotalitariana Wratislaviensia, 5/2016, Special Issue, vol. I: THE TROPICS OF RESISTANCE: Languages, genres, rhetoric, Pages (103 - 119) AbstractDownload article gender, Solidarity, oral history, life writing, autobiography |
Elżbieta Klimek-Dominiak Daughters and sons of solidarity ask questions: Resistance, gender, race, and class in transgenerational women’s auto/biography, film and new mediaMiscellanea Posttotalitariana Wratislaviensia, 6/2017: TRAUMA KULTUROWA JAKO PALIMPSEST: (post)komunizm w kontekście porównawczym nowoczesności, totalitaryzmów i (post)kolonializmów, Pages (157 - 176) AbstractDownload article gender, Solidarity, race, film, new media, гендер, »Солидарность«, раса, кино, новые медиа |
